47. This may be illustrated with reference to another digital work, slippingglimpse (2007) by Stephanie Strickland and Cynthia Lawson, in which lines of poetry float by in videos. The letters are not real handwriting, as in Oosterhoff’s and Jackson’s work, but in a typefont: ‘scriptina’. The tension between the presence of the author and his/her spectral hand, between the immediate and the secondary, is absent from this work.